The TITAN Noir Pro climbs to 6000 ISO lumens, measured to ISO 21118, which is 1200 more than the TITAN Noir. That headroom serves large diagonals first: the image goes up to 300 inches, with XGIMI recommending 60 to 150 inches. The RGB triple-laser source covers 110% of the BT.2020 space, in Dolby Vision, HDR10+ or IMAX Enhanced.
The dual iris sets its aperture from f/2.0 to f/7.0 in steps, or works in dynamic mode. Closed down to f/7.0, it raises native contrast to 8000:1, and to 100 000:1 in dynamic mode with the DBLE function. Wide open at f/2.0, it lets all the light through, the only aperture at which Brightness Boost mode is available.
At power-on, autofocus and continuous keystone correction straighten the image as long as the side angle stays below 40°. Two other modes take over when needed: intelligent alignment fits the image to the black frame of the screen, and obstacle avoidance moves it away from objects on the wall. The 0.98 to 2.0:1 optical zoom and ±130% vertical lens shift complete placement.
The TITAN Noir Pro holds two A+ certifications: low speckle, the shimmering grain specific to laser sources, and a low rate of colour fringing. Anti-RBE processing also reduces the DLP rainbow effect. Over long sessions, the image stays clean and the eye tires less.
Data sheet
Specific References
Lumene Capitol HD 150C manual retractable projection screen (16:9 aspect ratio), 155 cm wide. Lumene HD screen with a gain of 1.0, black borders, and a light-blocking backing; mounts to the wall or ceiling using clips.
Lumene Capitol HD 170C manual retractable projection screen (16:9 aspect ratio), 171 cm wide. Lumene HD screen with a gain of 1.0, black borders, and a light-blocking backing; wall- or ceiling-mounted using clips.
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