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The power stage in class A / B delivers 2 × 150 W under 8 ohms and remains stable up to a load of 2 ohms. The SoundEngine2 technology detects the distortion where it appears and cancels it before it spreads in the signal path. With a damping factor greater than 4000, the amplifier keeps the grave membranes control over difficult loads. The bandwidth covers 5 Hz to 100 kHz.
The A200 does not comprise or network section or digital input. This bias is for listeners who already have a DAC or Streamer, to those who build their system around vinyl or disk, and those who prefer that a device fills only one function. The amplifier does not decide the source: it is content to offer it a stable amplification base. This is the difference in principle with the H200, its connected equivalent.
Two XLR symmetrical inputs and two RCA entries welcome external sources. On the output side, a fixed RCA line feeds a recorder or second system, while a RCA variable line driver a subwoofer or a power block whose level remains set since the A200. A quality helmet output completes the set for private listening.
The phono mm input takes up the Mobile Magnet section of the brand's V10 preamp: hand-appared fet transistors and operational amplifiers selected for their low noise. On a fully analog amplifier, this input is not a catalog argument but the main point of input of a vinyl plate. On a daily basis, each entry accepts a fixed volume level, the device learns the volume controls of a TV remote control, a boot volume and maximum volume avoid brutal deviations, and automatic standby reduces consumption.
Data sheet
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